🔴 Best Watch Lun Mei Kwei And Ge Hu In Nan Fang Che Zhan De Ju Hui (2019) 4k Streaming
Date: 2020-02-28 03:31:34
Viewed: 561 times - 1 day, 5 hour, 18 minute, 16 second ago
Exponent of the sixth generation of Chinese directors, Diao Yinan debuts for the first time in the official competition of the 2019 Cannes Film Festival with the film The Wild Goose Lake. Already winner in 2014 of the Golden Bear at the Berlin Film Festival with fireworks in broad daylight, the director finds here all the themes most dear to him, enclosed within a murky noir that reveals a matured talent, always more capable of enriching the story of directorial inventions worthy of an author.
The film begins on a cold rainy night. Zhou Zenong (Hu Ge) is a gangster on the run after killing a policeman. On his head there is a size that tempts many, and which forces him to a desperate escape. It is precisely during this that he meets Liu Aiai (Gwei Lun Mei), a prostitute who came out of nowhere to help him. Zenong confides her story to her, retracing a trail of blood and violence.
Another noir therefore for Diao Yinan, but this time the inspiration seems to come largely from European cinema, between Michelangelo Antonioni and Jean-Luc Godard, and from the cinema of Wong Kar-Wai. A noir that therefore has multiple origins, which blends the various natures within it to form a product that guarantees entertainment and melancholic reflections on the human being, loneliness, his crisis.
Yinan immediately provides us with all the elements, between a protagonist from dubious morality to a cryptic femme fatale, from darkness to light, from the light that produces deformed shadows to sudden explosions of violence. It is a formal cure that has been refined over the years that of the Chinese director, who in this case shows off a taste for the composition of the frame from pure author's cinema. The dirty and worn environments in which the narration takes place help him in this, the dazzling neon lights that seem to give the characters every time new shades and new possible interpretations of their drives.
The attention to detail is accompanied by Yinan's consolidated ability to create great action scenes, carefully choreographed and taken from less appropriate perspectives. The danger thus appears to be always around the corner, and soon one becomes prey to the intricate number of characters, more and more impenetrable, increasingly impossible to know and to whom it is less and less possible to entrust one's trust.
Yinan therefore does not abandon the genre dear to him, through which it is instead possible to portray an increasingly gloomy, individualistic contemporaneity, where anyone must be considered an enemy in order to survive. With The Wild Goose Lake, the director adds a fascinating new chapter to his speech, creating an elegant and impactful noir, capable of entertaining and not in a conventional way.
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